Rubie's Official Costume

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Bart:"That was the most interesting thing for us. These characters had been really established and to strip them down and break them from society was great for us. It was also interesting to think how we would create something for these characters' styles to come out of, even though they're in the same clothing. Eiffe is the best example of that. Each character took the same base clothing and made it their own." Was it important to show their personality coming through? We always take the actors’ personalities into account. I mean, I never really design the clothes until I know who the actor is. Of course they have opinions, but you also have to make the actor comfortable on-camera. That’s my job: to make it easy for them to their job, to not think about the costume. Some of these costumes, of course, are not the most comfortable things on earth, especially in that heat. But you have to let the actor’s personality shine through to a certain extent. On Lucy Gray's makeup: "We wanted to do something flushed and beautiful to go with the iconic rainbow dress from the book. Her performance looks were colorful and included a gold upper lined and bleeding red messy cupid's bow, gold shadows, bright pink lips, and shadows, with a nod to an overall period look." [11] At one point, I’m gonna say we were seeing a hundred people a day? We would get the person’s head shot and sizes the day before. That night I would go and set up fittings, and put looks together, and then put out, say, three to four different options. So we did individually fit every single person that’s at the party. A pair of knee pads come attachable to the suit so that your knees are protected when it comes to those combat moments against the other tributes or you are making your way through the jungle in the arena.

https://www.hollywoodreporter.com/news/general-news/hunger-games-catching-fire-katniss-wedding-dress-designer-revealed-426771/ Well, when you do these costumes, each one is your children, and they all present their own problems and issues. Perhaps the biggest problem — even bigger than dealing with visual effects — was the weather where we were shooting [in North Carolina]. It was 90, more like 100 degrees, and 100 percent humidity.The District 10 male and female tributes had costumes that were glitzed up in golden fringe, and meant to represent cowboys and cowgirls from their district. [1]

https://www.panempropaganda.com/movie-countdown/2023/10/1/the-ballad-of-songbirds-snakes-makeup-designer-sherri-berman.htmlThe arena uniforms seem functional, but they’re also a little sexier. What were you thinking about when you designed those? And, in general, was this a little bit of a sexier Hunger Games? Kurt:"We wanted it to be seen in different ways - we didn't want her to become a super hero in an immobile suit that she can only wear one way. Her wings and shoulders are designed to be ceremonial, but the armour can also be taken off so you can see that girl again - you can see Katniss. Even if it didn't have the wings, she could be out on the field and become a soldier." What is Jennifer like to work with? The silver outfits sported by the male and female tributes in the 74th Hunger Games represented the intricate inner working of electronic devices. The silver mesh material was very shiny, and might have been meant to represent metal electronics. [1]

The male tribute and Foxface wore costumes that reflected light and shone whenever the tributes turned around. The glittering, eye-catching silver represents the color of wires and other power-like items. Their costumes represented a solar panel. [1] District 6 - Transportation [ ] Thank you. For me it was the perfect thing—in her character’s mind, it’s spring. There was the reaping, and kids are gonna be brought to slaughter. She’s thinking, It’s springtime! [ Laughs] You know? Main article: The Hunger Games: The Ballad of Songbirds and Snakes Costume designer: Trish Summerville Very! I think that's because Francis loves to shoot things in a real, organic way and not have to add on lots of special effects. When it came to our combat soldiers for D13, we wanted them to be really functional so we worked with the UK designer Aitor Throup. We wanted them to be lean and practical and we had a fantastic collaboration with him.' Covered in sparkly gold sequins and spectacular moon headpieces, the male and female tributes sported far-out costumes for the 74th Hunger Games. They were "flying to the moon." It also represented that it takes time to travel, and that some people used to use the moon for directions. [1] District 7 - Lumber [ ]Christian Cordella, an illustrator who worked on the first film, returned to create illustrations for District 13's costumes. [5] For the 75th Hunger Games, the tributes had electric-light-studded outfits. [3] District 4 - Fishing [ ] One of the things that Francis and I talk about—and we talked with Elizabeth about it—is that Effie is in a really tough position. She lived this Capitol life, but she starts to realize how damaging this all is. She looks happy, and she’s very Capitol, and she’s vibrant and she’s colorful—but she’s always uncomfortable. The Academy uniform was unisex. Summerville explained: "With the Capitol, when they have you in a group setting—bootcamp or the Peacekeepers—you work for them. They look at you as one of a million. It’s a bit communistic and regimented." [10]